Those who can direct, make; the ones cannot, remake. And those that cannot remake, remake remakes.
Look, cinema has been round for over a century via this level, so it is slightly inevitable we are going to see some concepts getting caught on repeat, however remaking remakes is one thing additional. That’s a director going “Oh, this is a good idea” and pilfering an previous movie’s idea, then every other filmmaker coming alongside and doing the very same factor a couple of a long time later.
It’s now not a brand new pattern both – one of the crucial maximum untouchable classics within the historical past of movie are in truth direct lifts from previous, much less well-remembered motion pictures.
It would possibly appear totally reductive, lowering as soon as nice concepts to marketable buzz phrases, despite the fact that whilst the knee-jerk response is that it is the nadir of the medium, it isn’t essentially a nasty factor. The Jungle Book (and Cinderella) have proven that Disney’s present pattern of rethinking their animated classics in live-action is not a fools errand, and what are they if now not remakes of reinterpretations of news that experience existed since sooner than the morning time of cinema?
Not each case is moderately as a hit despite the fact that, as noticed with those 8 remake remakes, starting from long-standing classics to a couple of this 12 months’s maximum perplexing blockbusters.
For reference, this does not come with motion pictures which have been remade a couple of occasions (King Kong has a number of distinct variations, however John Guillermin and Peter Jackson’s takes had been each rooted within the 1933 authentic) or instances the place the similar tale has been tailored independently (The Ten Commandments was once a remake of Cecil B. DeMille’s personal silent movie, however Ridley Scott’s Exodus: Gods And Kings was once, in spite of telling the similar tale, returning to the Biblical supply).